Synthwave Command Force For Spire
Description
Presets and five demo kits including FL Studio Templates, MIDI Multitracks, and stems.
Synthwave is a genre of electronic music that emerged in the early 2000s, inspired by the sounds and
aesthetics of 1980s music, video games, and films. Characterized by its nostalgic appeal, synthwave
combines the retro digital synthesizer sounds and the basic drum machine beats of the '80s with
modern music production techniques. The genre often features melodic synthesizer leads, solid
basslines, and atmospheric, pad-heavy background layers, creating a sound that evokes a sense of
nostalgia for the neon-lit, cyberpunk landscapes of the past.
Artists like Kavinsky, Carpenter Brut, and Perturbator are prominent within the genre, each adding their
own unique twist to the classic sound. Visually, synthwave is associated with bright neon colors,
pixelated graphics, and futuristic imagery reminiscent of '80s cinema and arcade style. It's not just a
musical style but an aesthetic, embracing the romance of a bygone digital era while residing firmly in
contemporary culture.
Product Details:
128 x Synthwave Named Spire Presets (Bank File).
5 x FL Studio Demo Templates.
5 x Multitrack Demo MIDIs with Samples, Presets Used & Stems.
Everything is 100% Royalty-Free.
Preset Breakdown:
21 x Basses
20 x Pads
19 x Mid Basses
19 x Sequences
17 x Leads
16 x Plucks
9 x Synths
4 x Chords
3 x Guitars
Requirements:
Please Use Spire Version 1.1.17 Or Higher.
You Will Need FL Studio 21.2.1 Or Higher to Open the Templates and 3rd Party Plugin Nicky Romero Kickstart 1.0.9 although not essential can be replaced by your method, iRstereo which is included and free, you will also need Adam Szabo Solaris Shimmer Reverb is a free plugin please download it from his website, all other plugins used are FL Studio’s plugins. If you don’t own FL Studio we have included individual samples, stems, MIDI Multitracks, and presets used for each demo so you can import them into your DAW instead of using the FL Studio templates.
